Happy Halloween! In honor of the holiday, I present you with some of the scariest music I know. The Shining is my favorite movie, and the soundtrack is no small part of that. This is the opening theme, and I can’t listen to it without my hair standing on end. Enjoy, and have a great Halloween
“The appearances in Bélmez began on 23 August 1971, when María Gómez Cámara claimed that a human face formed spontaneously on her concrete kitchen floor. María’s husband, Juan Pereira and their son, Miguel, destroyed the image with a pickaxe and new concrete was laid down. However, the Pereira story goes, a new face formed on the floor. The mayor of Bélmez was informed and forbade the destruction of the new face. Instead, the floor concrete was cut out and taken for study.
“María’s home was advertised to the tourists as La Casa de las Caras (The House of the Faces). By Easter of 1972 hundreds of people were flocking to the house to see the faces. For the next 30 years the Pereira family claimed that faces continued to appear, both male and female and of different shapes, sizes and expressions.”
A group of seniors in New Zealand were dismayed by the cost and impersonality of coffins, and so decided to build their own. To their surprise it became a joyous pasttime, one that would not only save them and their families money but which also demonstrated that facing your own death head on and with humor is one of the most life affirming things you can do. This super short documentary will brighten your day, coffins and all.
I love Postmodern Jukebox, and they knock this one right out of the park. Casey Abrams is a joy to watch because it’s so obvious he’s having the time of his life. Enjoy!
“On September 5, 1891, the Crawfordsville Journal reported that two ice delivery men sighted ‘a strange phenomenon’ that hovered in the air above their location, describing it as a ‘horrible apparition’ that ‘filled them with dread.’ A similar sighting was reported by a Methodist pastor and his wife. The Crawfordsville Journal described it as ‘about eighteen feet long and eight feet wide and moved rapidly through the air by means of several pairs of side fins. It was pure white and had no definite shape or form, resembling somewhat a great white shroud fitted with propelling fins. There was no tail or head visible but there was one great flaming eye, and a sort of a wheezing plaintive sound was emitted from a mouth which was invisible. It flapped like a flag in the winds as it came on and frequently gave a great squirm as though suffering unutterable agony.’
“The Indianapolis Journal repeated the story, as did other newspapers across the country, including the Brooklyn Eagle. The Crawfordsville Postmaster was deluged with mail, and reports of the sightings generated both ridicule and a number of believers. Two local men, John Hornbeck and Abe Hernley, ‘followed the wraith about town and finally discovered it to be a flock of many hundred killdeer.’ The Crawfordsville Journal suggested that Crawfordsville’s newly installed electric lights disoriented the birds, which caused them to hover above the city. The birds’ wings and white under-feathers likely resulted in misidentification.”
One of the best things about the musical Hamilton is how it presents every single character as complex, flawed human beings. Nowhere is this more evident than with Aaron Burr. This is our villain, the man whose envy and frustration led him to kill our protagonist. We know this from the very beginning. And yet here is a touching song about how Burr’s tragic life and how he struggles to deal with it, to rise above his tragedies. You wind up really feeling for him, even when the song turns to his jealousy of Hamilton. We can relate, because the song made Burr relatable. Enjoy!
“The Starchild skull is part of a malformed human skull which paranormalist Lloyd Pye had claimed is of extraterrestrial origin. The skull is of a male child who likely died as a result of congenital hydrocephalus.”
“The Ararat anomaly is an object appearing on photographs of the snowfields near the summit of Mount Ararat, Turkey and advanced by some Christian believers as the remains of Noah’s Ark.
“The anomaly is located on the northwest corner of the Western Plateau of Mount Ararat (approximately 39°42′10″N 44°16′30″E Coordinates: 39°42′10″N 44°16′30″E) at about 15,500 ft (4,724 m), some 2.2 km (1.4 mi) west of the 16,854 ft (5,137 m) summit, on the edge of what appears from the photographs to be a steep downward slope. It was first filmed during a U.S. Air Force aerial reconnaissance mission in 1949 — the Ararat massif sits on the former Turkish/Soviet border, and was thus an area of military interest — and was accordingly given a classification of “secret” as were subsequent photographs taken in 1956, 1973, 1976, 1990 and 1992, by aircraft and satellites.
“Six frames from the 1949 footage were released under the Freedom of Information Act to Porcher Taylor, a professor at the University of Richmond in Virginia, and a scholar at the Washington-based Center for Strategic and International Studies specializing in satellite intelligence and diplomacy, in 1995.”
“The Bunny Man is an urban legend that probably originated from two incidents in Fairfax County, Virginia, in 1970, but has been spread throughout the Washington, D.C. area. The legend has many variations; most involve a man wearing a rabbit costume who attacks people with an axe or hatchet.
“Most of the stories occur around Colchester Overpass, a Southern Railway overpass spanning Colchester Road near Clifton, Virginia. Colchester Overpass is commonly referred to as ‘Bunny Man Bridge’.
“Versions of the legend vary in the Bunny Man’s name, motives, weapons, victims, description of the bunny costume or lack thereof, and sometimes, even possible death. In some accounts, the Bunny Man’s ghost or aging spectre is said to come out of his place of death each year on Halloween to commemorate his passing. In some accounts, victims’ bodies are mutilated.”