“In January 1981 a modern myth circulated, dealing with a “white woman” (weisse Frau) of the Bölchentunnel. Shaped as an old white-clothed hitchhiking woman, a ghost (though not initially recognized as such) appears out of nowhere in front of the drivers and sometimes even speaks to them.
“The first known Belchen ghost was actually male. The first written reports of the phenomenon, dated June 1980, involve a male hitchhiker who was picked up but eventually vanished from the vehicle, despite the driver’s high speed.
“Towards the end of 1980, the “white woman” began appearing in or near the tunnel. On January 6, 1981, the tabloid Blick wrote about the sightings, followed by other media also adopting the story. Basel Police received many phone calls, dozens of which had to be logged.”
Sufjan Stevens is an incredible artist who takes common experiences and cracks them open, showing the beating heart of emotion within. “Pleasure Principle” is a song about a relationship where one partner wants so much more, while the other merely wants pleasure. It’s beautiful and heartbreaking. Enjoy!
“Each time that the vault was opened the coffins were replaced in their proper situations, that is, three on the ground side by side, and the others laid on them. The vault was then regularly closed; the door (a massive stone which required six or seven men to move) was cemented by masons; and though the floor was of sand there were no marks of footsteps or water. The last time the vault was opened was in 1819. Lord Combermere was then present, and the coffins were found confusedly thrown about the vault, some with their heads down and others up. What could have occasioned this phenomenon? In no other vault in the island has this ever occurred. Was it an earthquake which occasioned it, or the effects of an inundation in the vault?”
The Hobbit movies were regrettable. How someone who did such a great job with the Lord of the Rings movies so completely screw up The Hobbit is beyond me. Wait…no, no its not, because I’ve seen the Star Wars prequels. Ah, Peter Jackson, you just went full-on George Lucas, didn’t you? What a shame.
Indeed, for my money there were only two good things about those movies. One is the awesome Smaug voiced by the inimitable Benedict Cumberbatch (yes, I know, I’d listen to Cumberbatch read the phone book). The other is this song. Ed Sheeran really knocked it out of the park. When it reaches its climax, it gives me chills.
“The Dyatlov Pass incident (Russian: Гибель тургруппы Дятлова) refers to the mysterious, unsolved deaths of nine ski hikers in the northern Ural Mountains on February 2, 1959. The area in which the incident took place was named Dyatlov Pass in honor of the group’s leader, Igor Dyatlov.
The experienced trekking group, who were all from the Ural Polytechnical Institute, had established a camp on the slopes of Kholat Syakhl when disaster struck. During the night, something caused them to tear their way out of their tents and to flee the campsite while inadequately dressed during a heavy snowfall and sub-zero temperature.
“Soviet Union investigators determined that six victims died from hypothermia and that the three others showed signs of physical trauma. One victim had a fractured skull; another had brain damage but no sign of an injured skull. Additionally, the tongue and eyes of a female team member were missing. The investigation concluded that an “unknown compelling force” had caused the deaths. Several explanations have been put forward as to the cause of the deaths. They include an animal attack, hypothermia, an avalanche, infrasound-induced panic, military involvement, or some combination of these.”
I’ve long been fascinated with how societies treat their dead. From the mummies in Egypt to the mummies in Peru, the funerals held in the home to those held in funeral homes, how we treat our dead says interesting things about our relationship with death. Recently I’ve read three articles about how we treat dead bodies that were fascinating windows into three different views on death.
The first is this article from National Geographic on the close relationship between the living and the dead in Toraja, Indonesia. When a family member dies, they are kept in the house for an extended period of time, sometimes years, and treated as a sick person. The family will bring them food, talk to them, touch them, and wash them. When they eventually hold a funeral, it’s a huge and elaborate affair, complete with animal sacrifice of a number of buffalo to help the spirit on its way into the afterlife. The body is then interred in a crypt or a nearby cave, next to other family and community members. But even then the physical relationship between the living and the dead isn’t over; periodically the bodies are disinterred, washed, dressed, and greeted with joy by family and friends.
The second article is from the Guardian about how medieval villagers smashed skeletons to keep them from rising from the dead. Societies in many places and at many times have been known to mutilate the dead to prevent them from becoming the undead. From the New England vampire panic, where 19th century Americans burned the organs of suspected vampire corpses to end a tuberculosis epidemic, to the Tibetan practice of sky burial, where corpses are hacked up and offered to the vultures so the dead body cannot be inhabited again, humanity has often feared what happens after death. To these people, bodies represent a very real threat, and if the corpses were in any way still their loved ones, then those loved ones were now evil.
The third article is this one from Hyperallergenic, about photographer Robert Shults’s series of photographs of decomposing bodies at the body farm at Texas State University. A body farm is a facility where donated corpses are laid out in various environments and then monitored to see how specific circumstances affect decomposition. The data is then used by forensic scientists to assist in determining time of death in cases where a victim has been dead for a while before being found. While most people in our society would likely have a visceral aversion to actually viewing these bodies, for the most part there is no fear that they will reanimate, or that they pose any true danger. Indeed, Shults’s photographs are beautiful, despite their morbid subjects. He, along with those in search of this knowledge and those who donate their bodies, see death as an opportunity for learning, and decomposing bodies as tools for science and justice.
I will admit that all three of these views of death and corpses evoke a certain sense of discomfort. But that in itself is indicative of the society I am part of. Death in the majority of modern day America is hidden away, the contact with corpses severely minimized. So we have a strong reaction against anything that has to do with death, and we cannot abide even the thought of dead bodies. And I think it’s important to challenge that innate cultural belief. We have much to learn from how human beings, now and throughout history, faced mortality and related to our dear departed.
All you 90’s kids out there will remember Right Said Fred and his one hit wonder “I’m Too Sexy.” I’m always reminded of waiting for a table at the Hard Rock Cafe in Paris in 1996, and watching the guy behind the souvenir counter dancing every time this song came around on the music loop. Even though he had doubtless already heard it hundreds of times that day, it still brought him joy. High praise for a bit of 90’s fluff. Enjoy!
“The Tunguska event was a large explosion that occurred near the Stony Tunguska River, in Yeniseysk Governorate (now Krasnoyarsk Krai), Russia, on the morning of 30 June 1908. The explosion over the sparsely populated Eastern Siberian Taiga flattened 2,000 km2 (770 sq mi) of forest yet caused no known human casualties. The explosion is generally attributed to the air burst of a meteoroid. It is classified as an impact event, even though no impact crater has been found; the object is thought to have disintegrated at an altitude of 5 to 10 kilometres (3 to 6 miles) rather than hit the surface of the Earth.”
The Tunguska event is the largest impact event on Earth in recorded history. Studies have yielded different estimates of the meteoroid’s size, on the order of 60 to 190 metres (200 to 620 feet), depending on whether the body was a comet or a denser asteroid.